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AAJA names inaugural Mentee of the Year recipient

Friday, August 12th, 2011

By Dan Hill
Voices

Candice Nguyen was named 2011 Mentee of the Year.

Like mentor, like mentee.

Candice Nguyen of the San Diego AAJA Chapter was named Mentee of the Year award at Friday’s AAJA’s membership meeting — a year after her mentor won the companion award.

Vicky Nguyen, of no relation, won Mentor of the Year last year; the nomination came from her mentee. Vicky Nguyen returned the favor, nominating her mentee for recognition before this year’s convention. It was a winning combination.

“Candice took leadership from the interns in her newsroom,” said Randall Yip, who oversees the AAJA Mentorship program. “She was a go-getter, and it’s already paid off.”

Candice Nguyen, who recently was hired as a general assignment reporter at San Diego 6, joined AAJA in 2009 as a senior at New York University. A Bay Area native, Candice Nguyen enrolled in the mentorship program and was paired with Vicky Nguyen, a bureau reporter for NBC Bay Area.

“Vicky taught me more than four internships combined,” the mentee said.

Candice Nguyen participated in AAJA’s Voices program in Los Angeles in 2010 at the recommendation of her mentor, who is a former Voices student.

AAJA first awarded Mentor of the Year in 2010. Candidates for Mentee of the Year were reviewed last year, but judges did not find a qualified candidate, Yip said.

Follow Dan Hill @nudhill.

Committee to make recommendation for new ELP co-director

Friday, August 12th, 2011

By James Tensuan
Voices

AAJA’s Executive Leadership Program, designed to prepare minority journalists for management roles in their newsrooms, is close to getting a new director.

After a nine-month search, a steering committee is expected to make a recommendation to the AAJA Governing Board on Sunday. After a director is chosen, the committee and the director will then select a co-director.

Since last August, the nine-person committee has been looking for a new director after ELP founder Dinah Eng stepped down .

The new ELP director needs to have a vision of where to take the program and strong leadership skills, committee members said. The steering committee also wants a director who can lead journalists during a changing landscape that includes budget cuts and higher expectations for professionals to use social media to engage their audiences.

Sharon Chan, former AAJA president and steering committee member, wants energy, passion and commitment in a new director.

“We are really committed to ELP in the future and that it continues to serve as a flagship program for careers,” she said.

Abe Kwok, ELP member from the class of 1999, said the leadership program changed his life.

“It taught me how to be a leader even without a title or a rank,” Kwok said. “It also taught me how to navigate around the power structure of the news organization,” he said.

Follow James Tensuan @jtensuan.

An American classic: American Coney Island hot dogs

Friday, August 12th, 2011

By James Tensuan
Voices

In a big city like Detroit, change is inevitable. But at least one thing has remained constant — American Coney Island hot dogs.

Sitting at the corner of Lafayette Boulevard and Michigan Avenue, it is the oldest family-owned business in the city.

“It’s an American standard,” said John O’Brien, an American Coney Island customer from Northville, a Detroit suburb.

A coney is not your average hot dog. The hot dog has natural casing, and hugged by a steamed bun and topped with chili (made from a secret recipe), mustard and onions.

American Coney Island, one of the most popular coney island restaurants in the city, offers ketchup at the tables, but employees will not put it on a coney dog for customers.

“If you put ketchup on a coney, you don’t know how to eat it,” says Grace Keros, 46, who owns the restaurant.

Constantine (Gust) Keros founded the restaurant after emigrating from Greece to Detroit in the early 1900s. Now, three generations later, his great granddaughter leads the business.

The eatery’s coney dog recipe has remained the same since its very first days, the family said.
And the restaurant interior is much like the rings of a tree — the walls show American Coney’s growth over the years. Photos of famous visitors, such as Kid Rock, television show host Adam Richman and family members line the walls. Above all the photos rests a portrait of the family patriarch.

The rivalry between American Coney Island and Lafayette Coney Island right next door is fierce. The two eateries used to be owned by the same family, until Lafayette was sold to non-family employees 26 years ago, said Grace Keros.

Despite the options, American Coney fans remain loyal. Regular customers come in every day and sit in the same seats, said Candice McGuckim, an American Coney Island employee.

But it is not just the food that brings customers back.

“They are clean, fast and friendly,” said American Coney Island customer Debbie Pear from Ann Arbor.

“It’s not a flavor, it’s not a taste,” said American Coney Island employee John Taube who has been working with American Coney since 1989 as a computer and marketing manager. “It’s a feeling. It’s a taste of who we are and where the family has been.”

Follow James Tensuan @jtensuan.

Cincinnati Bengals face Detroit Lions

Friday, August 12th, 2011

By Frank Bi
Voices

After a long offseason marred by the NFL lockout and the departure of their franchise quarterback, the Cincinnati Bengals are in town Friday to face the Detroit Lions in their first preseason game.

Staying at the Marriott Inside the GM Renaissance Center, Bengals head coach Marvin Lewis was spotted along with another member of his staff touring the hotel and shopping center before the game at Ford Field.

Lewis and his staff member declined an interview with Voices.

A hotel employee confirmed the Bengals were staying at the Marriott, including some with their families.

A storyline bigger than the game itself is the start of the Andy Dalton era for the Bengals. The 2011 second-round draft pick will take the first snaps Friday against a Detroit team that won six games last season.

Dalton is taking over the starting quarterback job for two-time Pro Bowler Carson Palmer, who retired after not being granted a trade.

The Bengals are coming off a disappointing 4-12 season.

Follow Frank Bi @frankiebi.

When in Detroit, drink Faygo

Friday, August 12th, 2011

By Rachel Agana
Voices

Discover Detroit’s local flavor distilled into a bottle of fizzy Faygo pop.

The homegrown drink runs through the veins of Michigan residents.

“It’s what we grew up with. Redpop was present at every cookout, birthday party and hot summer day,” said Diane Pinson-Schuyler, a Faygo fan from New Boston, Mich.

Founded by two Russian bakers in 1907, the Faygo bottling company set out to translate cake frosting flavors into sippable sensations.

They started with three flavors: Strawberry (now known as Redpop), Fruit Punch and Grape.

The Feigenson brothers’ then set themselves apart from the pack by continuously producing new flavor concoctions, according to the company.

Today there are more than 60 flavors. They range from the familiar, like Orange and Root Beer, to the unusual, such as Rock & Rye (cherry creme) and 60/40 (grapefruit and lime).

Now over 100 years old, this little bottling company that could remains viable among its neighbors Pepsi and Coca-Cola.

“It isn’t easy. That’s for sure,” said Matthew Rosenthal, a Faygo Beverages, Inc. spokesman. “Faygo is still here because we make the best flavored soft drinks – and now non-carbonated drinks as well – and they are priced at the most reasonable prices possible.”

Many Faygo fans say the Michigan-based hip-hop duo Insane Clown Posse introduced them to the drink. The musicians are known for spraying liters of Faygo into the audience during concerts and have written a song dedicated to the brand.

But fans’ affection for Faygo goes beyond drinking the soda pop. They share memories on social media sites, declaring their flavor favorites and helping each other find Faygo in areas with limited distribution.

The company’s Facebook and Twitter fans, exceeding over 30,000, also rave about vintage Faygo commercials, which evoke a special kind of nostalgia.
“By the end of the commercial, you couldn’t get the song out of your head!” Dorene Whitmire, of Roseville, Mich., responded over email.

“My favorite line is ‘Climb into the tree top’. My neighbors had a glorious pine tree that my brother and I would climb,” reminisced Janet Hug of Commerce Twp., Mich. “They still give me a chuckle or a wistful feeling.”

Steven Seiler of Romulus, Mich., the most active member on the Facebook fan page, has been collecting all things Faygo for the past 11 years. His home is full of bottles, posters, even a record of the “Faygo Boat” song, which was featured in old Faygo commercials.

His collection is so extensive, it won attention from Faygo’s company historian, Harvey Lipsky, who invited Seiler for a tour of the factory in 2002.

“I sent him photos and he invited me over,” Seiler said. “It was a really nice experience. They had a nice display of stuff and I ended up giving him a bottle from 1921.”

Faygo is for sale throughout Michigan, but for a classic experience look no further than the part museum, part nostalgia store The Detroit Shoppe. For only a dollar, they’ll pop open an ice cold 12-ounce glass bottle of Rock & Rye or let customers mix and match a to-go six pack.

“Get a taste of the city without having to step foot in it,” said Lindsay Holston, a Shoppe employee.

Facts about Faygo:

  • Faygo was the first soda to be called pop inspired by the sound made when opening one of their capped glass bottles. It also was the first to use the twisted bottle cap now popular.
  • A local bakery chain called Just Baked creates Faygo cupcakes, sold at their seven Michigan shops and at local supermarkets.
  • Faygo is for sale online.

Follow Rachel Agana @rachelagana.

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Friday, August 12th, 2011

Column: Stereotypical suburbanite views city in new light

Friday, August 12th, 2011

By Kay Nguyen
Voices

I’m from the Metro Detroit area, but I became a Detroiter this week.

That’s thanks to my experience as a Voices staffer. Before the AAJA convention, I looked at this city as a casual observer. As a journalist, I’ve now examined it with a critical eye and like what I see.

In my broadcast story about a group of houses on Moran Street in Hamtramck, I documented artists who turned previously abandoned homes into art installations. They make everything from found objects. In one home, a giant chandelier, made from glass bottles, pieces of fabric and knick-knacks, hung from the ceiling and filled an entire room.

Detroit is much like these old buildings: a blank canvas that’s ripe for something unique and beautiful.

On another multimedia assignment, the story of the success of entrepreneur Caroline Howard’s restaurant, Traffic Jam and Snug in Midtown, also resonated with me.

“You can actually make a difference in a city like Detroit,” Howard said. “There is so much opportunity here compared to cities that are already built up like Chicago or San Francisco and you can be successful with much less money.”

That statement made me think about the rebirth of the city. People think there’s nothing in Detroit, but I’ve found out this week that might be the best part.

Because of Voices, I’ve been able to add to the blank canvas that is Detroit. I’ve become a part of it all.

Until now, I’ve been a stereotypical suburbanite – from Rochester Hills, about 30 minutes north – who would identify with Detroit as a hometown. But I never really went into the city.

People would ask me about “8 Mile” and wonder what Detroit was really like. I’d fervently defend “the D” against the misguided conceptions people had about it, but couldn’t exactly tell anyone why Detroit was worth visiting.

But as I started college, I began learning about the Michigan Cool Cities movement, the state’s efforts to keep talented people from leaving. Around that same time, Detroit began revitalizing its image in the aftermath of events surrounding former mayor Kwame Kilpatrick’s corrupt administrations.

I want to stay in Detroit and make a difference. (Please take note, Free Press and News editors!)

Being able to see my hometown in a new way has been the most gratifying thing about my week-long experience. I’ve been able to see the city in a different way through Voices.

I’ve still only been to one Detroit Tigers game and have never been to Ford Field. I’ve been to the Opera House once. I haven’t been ice skating at Campus Martius Park or experienced Hockeytown.

These are obvious ways to get engaged with Detroit. But I hope to dig deeper to find more stories about the city’s revitalization.

Follow Kay Nguyen @kaynguyen.

Journalists engage readers with crowdsourcing

Friday, August 12th, 2011

By Yimou Lee
Voices

The 24,000-plus pages of the emails Sarah Palin sent as governor of Alaska proved to be problematic for news organizations such as The New York Times, which were eager to publish substantial reports. So they turned to an unlikely ally to help them: their readers.

The New York Times and The Washington Post asked readers to dig into the documents and provide story ideas. Mother Jones, MSNBC.com and ProPublica partnered with a research company to create an online database for the emails.

The approach to invite the audience to research a vast and sometimes specific material, often called crowdsourcing, has been an evolving phenomenon in many fields, and journalism is now beginning to benefit from the technique. It’s a way for journalists to both expand their network of sources and engage readers, media experts say.

“Crowdsourcing as a method holds potential to do more accurate, more informative and more interesting journalism,” said Tanja Aitamurto, a visiting researcher at the Center for Design Research at Stanford University in Palo Alto, Calif., who specializes in crowdsourcing and open innovation. “It holds also potential to create a closer relationship to readers, as readers are given a chance to participate in the journalistic process, which traditionally is a closed process.”

Crowdsourcing takes many forms, from requesting for photos during a breaking news event to asking for help from witnesses or seeking feedback on Twitter and Facebook. Often, these bits of information reveal much of what’s happening on the ground, where reporters aren’t able to immediately reach, or even make for a more fascinating project.

During the uprising in the Middle East and North Africa, many journalists did not have immediate access to the hot spots. But many organizations such as Al Jazeera and National Public Radio turned to the people on the streets to tell a more complete story. Andy Carvin, senior strategist for NPR, is one good example. He developed more than 30,000 Twitter followers by filtering and re-tweeting information developed during the uprising. His curation of tweets helped his organization cover the story with much more color and details.

The “Mixed America’s Family Tree” was a crowdsourcing project by The New York Times this year, in which the newspaper asked readers to submit their own mixed-race family story. So far, it has successfully produced 246 stories told by readers.

But crowdsourcing is not a silver bullet that resolves all the challenges in journalism, experts – and even readers – say.

“Don’t you folks get paid to do this work yourself?” was a popular comment by reader Brandon West on the New York Times’ Caucus blog. The tart question, which was formed as a response to the newspaper’s crowdsourcing appeal on Palin’s emails, was recommended by some 341 readers. Other similar comments were posted: “The NYT wants non-journalists to do their homework for them!” and “Both the Times and the Washington Post are sending out identical notices of recruitment. … How many staffers do you plan to let go to cover this assignment with ‘just plain folks’?”

“We have to remember that crowdsourcing is still a new phenomenon not only for journalists, but also for readers,” Aitamurto said. “Journalists have to be able to answer that question: first to themselves when planning crowdsourcing activities, then when communicating about the crowdsourcing initiative itself in a proactive way, and then to readers’ inquiries.”

Crowdsourcing hardly reduces journalists’ workload. The common belief is that it is an alternative for media to save money, time and labor.

“I’m not cynical enough to believe it’s meant to save money, and I doubt it really saves much time,” said Robert Quigley, a former social media editor for the Austin American-Statesman and a senior lecturer starting this fall for the Journalism School at the University of Texas at Austin.

Quigley covered a 2010 plane crash in Austin, Texas by using the Austin American Statesman’s Twitter account to ask witnesses information and seek photos from the public.  Using his reporting background to carefully but quickly get facts and verify them, Quigley was able to write stories he wouldn’t have been able to otherwise.

“A good crowdsourcing project takes a lot of effort, both on the front end and in presenting information,” Quigley said. “The keys for news organizations are to do their part in verifying information and to present the information in a way that makes sense to consumers.”

Popular hashtag leads TV reporter to sources, story ideas

Friday, August 12th, 2011

By Kay Nguyen
Voices

“Is anybody out there?”

That was the message Stephen Clark sent out into the universe via Twitter in February 2010.

The anchor at Channel 7 WXYZ-TV was testing out what many industry experts have dubbed the latest tool for newsgathering. He started tweeting with #backchannel, using the number symbol – or hashtag in Twitter language – to make searching for words and phrases easier.

Using #backchannel, viewers can interact with anchors during the Channel 7 Action News Team’s morning and 11 p.m. broadcasts, as well as throughout the day.

Clark chatted with Voices to explain his take on the quickly changing world of social media.

QUESTION: When did you begin utilizing social media for work?
ANSWER:
I started using social media for more personal use, starting with MySpace. Probably two years ago, I started on Twitter and started to see glimpses of how I might be able to use it for stories.

So, I would go on during storm coverage or something and see what people were saying and find ways to locate where things were happening.

Q: When did you realize Twitter could be applied to newsgathering and community conversation efforts?
A:
About a year and a half ago, I had my BlackBerry on set with me during the 11 o’clock newscast. I had never really tried it, but I just tweeted out during the newscast. I wrote the phrase, ‘Is anybody out there?’ because I was kind of bored because we were airing a pretty long package.

People immediately started answering me back, and it was kind of interesting because I realized I could begin having this real-time conversation with people who were watching us on the air.

Q: How did #backchannel start?
A:
There was really no plan. I just started this conversation where I talked to people. We had dozens and dozens of people just conversing, and it started going from people conversing directly with me to people also actually conversing with each other.

I didn’t know much about (Twitter) at that time, but a friend told me I should have a hashtag. I didn’t understand them at that time, other than seeing them all the time and didn’t know how they worked.

Q: About how many people are you able to interact with during a newscast?
A:
Most nights we hang in the range of about 30 to 40 people. Depending on what’s going on, it’s been up to 130 people. All during the day, people are weighing in and using the hashtag though.

Q: How are others at the station using social media?
A:
Morning people also use the #earlyrisers, which was created by morning show anchor Alicia Smith. It’s almost a rivalry between the #earlyrisers and the #backchannel, though many use both. There are unique #backchannel people and #earlyrisers, but by and large it’s one big group.

Q: Do you pick up stories through the #backchannel?
A:
What I saw was a thread from a lot of people saying: ‘Why do you always have to give us such bad news?’ Everybody in journalism has heard that about a million times. So, instead, I said, ‘Instead of complaining about the bad news, why don’t you give me some good news?’

I wanted them to tell me the stories I ought to be covering. We all have cell phones and Flip cameras. If you post it on Vimeo or YouTube and post a link to the #backchannel, and I look at it and everyone thinks it’s a good story, I’ll go out and cover it.

Through that, I’ve covered over the last year probably three or four dozen stories that have come directly from our #backchannel people that we would have never heard about. I think it’s a good way to crowdsource stories because not only do we see it, other people will look at it and say, ‘That’s really cool. That’s really neat.’ And that tells me that we need to cover it.

Follow Kay Nguyen @kaynguyen.

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